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                <text>Les figures métamorphosées</text>
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    <name>Person</name>
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            <text>Dans les &lt;i&gt;Métamorphoses&lt;/i&gt; d’Ovide, le pâtre d’Apulie n’est pas explicitement nommé. Il est présenté comme un simple berger au comportement irrespectueux envers les nymphes. Déclenchant leur courroux, il est métamorphosé en olivier sauvage.</text>
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              <text>Le pâtre d'Apulie</text>
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              <text>Le pâtre d'Apulie et les nymphes dansant</text>
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          <name>Creator</name>
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              <text>Hyacinthe Collin de Vermont (1693-1761). Peintre</text>
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              <text>Versailles, Musée national des châteaux de Versailles et de Trianon (dépôt du Musée du Louvre, Département des Peintures), inv. 7450</text>
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              <text>https://collections.louvre.fr/media/cache/medium/0000000021/0000236767/0000368219_OG.JPG</text>
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          <name>Date</name>
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              <text>1750</text>
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              <text>© Musée du Louvre, Paris</text>
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          <name>Format</name>
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              <text>59 x 157 cm</text>
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              <text>Huile sur toile, Dessus de porte</text>
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              <text>La mythologie du pâtre d'Apulie</text>
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      <name>Arbre</name>
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      <name>Olivier sauvage</name>
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      <name>Pâtre d'Apulie</name>
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