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Les incendies </text>
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Les incendies </text>
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                <text>"On marche dans la fumée; on respire un air qui sent à la fois le brûlé et le vernis d'appartement, et de tous côtés, on entend le pschit des pompes. Il est encore, dans bien des endroits, des traces et des débris horribles de la bataille", écrit Edmond de Goncourt le 28 mai 1871, à l'issue des derniers affrontements de la Commune. &#13;
&#13;
C'est ce même instant que François-Joseph Delintraz, portraitiste du faubourg Saint-Honoré, a l'idée d'immortaliser. Nous connaissons de lui une série de prises de vues montrant les pompiers en action, réalisées à proximité de son atelier. &#13;
Cette image réalisée le 24 mai, en pleine Semaine sanglante, en fait partie.&#13;
La veille, on s'était battu jusqu'à l'aube place de la Concorde puis rue Royale. A l'arrière-plan de la photographie, la maison de la porte Saint-Honoré fume encore. Elle s'écroulera le lendemain matin. &#13;
Quatre jours plus tard, la dernière barricade de la Commune tombe à Belleville. Les parisiens découvrent alors une ville profondément marquée par les combats et les incendies.</text>
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                <text>Giacomo Ginotti est un sculpteur italien qui connait une renommée euroéenne au cours des années 1880. &#13;
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                <text>Buste en bronze &#13;
sans socle H. 64 cm ; L. 59 cm ; P. 34 cm ; pds. 56,2 kg</text>
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                <text>La représentation du soldat évolue au XIX siècle. &#13;
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Ce tableau, daté précisement du "19 septembre 1870", sur la toile, montre des soldats français protegeant Paris de l'invasion des Prussiens depuis les fortifications de Villejuif. </text>
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                <text>© RMN-Grand Palais (Musée d’Orsay) / Hervé Lewandowski</text>
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                <text>Legs Edouard Détaille, s. d. , Dépôt du musée national du Château de Versailles, 1986 </text>
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                <text>huile sur toile &#13;
H. 55 cm ; L. 67 cm </text>
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                <text>numéro d'inventaire : RF2272 </text>
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                <text>L'incendie des Tuileries </text>
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                <text>Pendant la Semaine sanglante (écrasement de l'insurrection de la Commune du 21 au 28 mai 1871), les communards incendient le palais des Tuileries, siège du pouvoir sous Napoléon III, afin de faire disparaitre ce symbole du pouvoir monarchique et impérial. &#13;
&#13;
A l'arrière-plan, le palais brule sous des fumées noires. La scène est vue depuis l'ile de la Cité, à l'angle de la Conciergie. Parmi les quelques insurgés, au milieu des décombres et des cadavres, une femme porte le corps d'un soldat et brandit le drapeau rouge de la révolution. </text>
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                <text>© Musée d’Orsay, Dist. RMN-Grand Palais / Patrice Schmidt</text>
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H. 47,5 cm ; L. 79,2 cm </text>
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                <text>numéro d'inventaire : RF 1981 31 </text>
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                <text>huile sur toile &#13;
H. 80 cm ; L. 64 cm</text>
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&#13;
Mélant description réaliste et langage allégorique, il réunit autour du drapeau français et de la figure de la vlle de Paris les soldats et civils ayant tenu le siège. &#13;
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&#13;
Dans le ciel, menaçants, volent un aigle prussien et une allégorie de la Famine. </text>
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