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                <text>Le mariage d’Henri de Navarre et de Marguerite de Valois, prise de vue du film « La Reine Margot » (Patrice Chéreau, 1994)</text>
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                <text>Patrice Chéreau</text>
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                <text>Image de film avec des personnes qui nous fond face. Ils sont dans une église. Deux personnages sont au premier plan et sont en train de se marier.</text>
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                <text>Affiche de film. Le fond est rouge, une femme est à gauche au premier plan, elle a les mains devant sa bouche, elle est vêtue d'une robe blanche avec des tâches rouges </text>
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                <text>Affiche de « La Reine Margot » (Jean Dréville, 1954)</text>
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                <text>Affiche de cinéma avec au premier plan, un couple qui s'enlace, la femme est blonde, vêtue de bleu et masquée et l'homme en verre marron. À l'arrière plan un château sur fond rouge.</text>
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                <text>Carte postale pour Les Huguenots, opéra d'Eugène Scribe et Giacomo Meyerbeer</text>
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                <text>Gallica / BnF&#13;
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                <text>Dessin avec deux femmes sur fond rouge et enflammé. L'une est en train de mourir, du sang sur le front et une épée à la main.</text>
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                <text>La reine Margot : 1er acte, scène 8, 2eme tableau</text>
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                <text>Daté d'après la représentation du spectacle. - Représentation des principaux personnages : Lahurière, Coconnas, la reine, Gillone et La Môle</text>
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                <text>Alexandre Lacauchie</text>
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                <text>Bibliothèque nationale de France, département Bibliothèque-musée de l'opéra</text>
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                <text>Couverture de la Reine Margot</text>
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                <text>Jules Rouff éditeurs</text>
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                <text>Musée du Louvre, Département des Peintures</text>
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                <text>Hauteur : 394 cm&#13;
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                <text>Tableau issu du cycle Médicis, suite de vingt-quatre tableaux illustrant sur un mode héroïque la vie de Marie de Médicis (1573-1642), reine de France, épouse d' Henri IV. Peints de 1622 à 1625 pour l’une des deux galeries – la galerie occidentale – occupant le premier étage des deux ailes du palais de Marie de Médicis à Paris, ou palais du Luxembourg, actuel Sénat, palais lui-même édifié de 1615 à 1622. Ces grandes toiles, ouvrages hors du commun car entièrement autographes contrairement à ce qui est souvent affirmé, meublaient les parois des entre fenêtres de la galerie. On aperçoit dans le cortège de la nouvelle reine, l’ancienne épouse et reine, Marguerite de Valois.</text>
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                <text>© 2000 GrandPalaisRmn (musée du Louvre) / Ojéda / Le Mage</text>
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                <text>huile sur toile</text>
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                <text>Guillaume Revel</text>
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                <text>Bibliothèque national de France, Département des Manuscrits</text>
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                <text>Gallica / BnF</text>
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                <text>Musée du Louvre, Département des Arts Graphiques, Cabinet des dessins, Fonds des dessins et miniatures</text>
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                <text>début XVIIe</text>
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                <text>© GrandPalaisRmn</text>
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                <text>encre brune à la plume - lavis (brun) - papier beige - pierre noire</text>
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