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                  <text>Cimetière de Montmartre</text>
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                <text>Tombe d'Iolanda Gigliotti dite Dalida  </text>
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                <text>Une statue grandeur nature en pierre est entourée d'un soleil rayonnant qui ajoute une notion d'intemporalité et de vie à cette tombe. Le nom de Dalida est écrit en lettres dorées.</text>
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                <text>&lt;a href="https://fr.wikipedia.org/wiki/Aslan_(artiste)"&gt;Aslan&lt;/a&gt;</text>
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                <text>Années 1980</text>
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                <text>Division 18</text>
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                <text>Pierre et marbre </text>
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                <text>Tombe de Daniel Iffla</text>
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                <text>Une grande reproduction du Moïse de Michel-Ange La tombe est entourée de plaques dédiées à de nombreux membres de sa famille qu’il avait initialement voulu allonger à côté de lui.</text>
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                <text>&lt;a href="https://fr.wikipedia.org/wiki/Antonin_Merci%C3%A9"&gt;Antonin Mercié&lt;/a&gt;</text>
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                <text>Années 1900-1910</text>
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                <text>Marbre blanc et bronze</text>
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                <text>Division 3</text>
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                <text>Il a été enterré  près de l'ancien carré chrétien pour être proche de son épouse défunte.</text>
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                <text>Tombe de Vaslav Nijinsky</text>
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                <text>Sa tombe est ornée d'une statue le représentant dans le rôle de Pétrouchka. </text>
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                <text>Oleg Abaziev</text>
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                <text>Division 22</text>
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                <text>Assis dans une attitude mélancolique, son bras soutenant son visage, Nijinski est illustré comme un personnage aussi rêveur que torturé, ayant subi plusieurs séjours dans les hôpitaux psychiatriques après avoir été diagnostiqué schizophrène. De lui, Jean Cocteau dira :&lt;em&gt;“Comme la beauté, Nijinski est un drame. Un drame et une énigme”&lt;/em&gt; .
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                <text>Gisant en pierre, les mains jointes, sous un dais architecturé.</text>
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                <text>&lt;a href="https://fr.wikipedia.org/wiki/Ren%C3%A9_de_Saint-Marceaux"&gt;René de Saint-Marceaux&lt;/a&gt;</text>
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                <text>&lt;em&gt;"Je me constituai dans ma vie et dans ma mort qui m'intéresse bien plus que ma vie car celle-ci ne fait partie que du temps et celle-là de l'éternité."&lt;/em&gt;</text>
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                <text>Division 21</text>
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                <text>Le gisant a perdu quelques doigts de pied, arrachés par des admirateurs.</text>
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                  <text>Cimetière du Montparnasse</text>
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                <text>Tombe de Tatiana Rachewskaia</text>
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                <text>&lt;i&gt;Le Baiser &lt;/i&gt;</text>
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                <text>Sépulture en pierre surmontée d'une des sculptures de l'artiste Brancusi,&lt;i&gt; le Baiser &lt;/i&gt;</text>
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                <text>&lt;a href="https://fr.wikipedia.org/wiki/Constantin_Br%C3%A2ncu%C8%99i"&gt;Constanti Brancusi&lt;/a&gt;</text>
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                <text>1910</text>
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                <text>Tatiana Rachewskaia était une jeune étudiante de 23 ans qui a vécu un idylle funeste avec son professeur de français Solomon Marbais. Dévastée par cet amour impossible, elle a mis fin à ses jours dans sa chambre. Afin de lui rendre honneur, sa famille acheta une sculpture à un artiste encore inconnu, Constantin Brancusi. </text>
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                <text>Membre de l'association en visite</text>
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                  <text>Cimetière de Passy</text>
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                <text>Tombe de Jacques Carlu</text>
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                <text>Deux hautes stèles effilées (en forme d'obélisques stylisés ou de pyramides très allongées) qui pointent vers le ciel</text>
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                <text>&lt;a href="https://fr.wikipedia.org/wiki/Jacques_Carlu"&gt;Jacques Carlu&lt;/a&gt;</text>
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                <text>Fin des années 1960</text>
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                <text>Granit noir poli</text>
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                <text>Division 9</text>
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                <text>Dôme massif surmonté d'une croix orthodoxe russe à trois branches, rappelant les origines de la famille.</text>
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                <text>L'intérieur de la chapelle n'est pas une simple crypte, mais a été aménagé par sa mère comme un véritable petit musée. On y trouvait son dernier chevalet, sa palette de peinture, ses meubles, et même un buste de l'artiste. Jusque dans les années 1920, la famille y entretenait une atmosphère de salon, comme si Marie y travaillait encore.</text>
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                <text>Reproduction en marbre blanc de la Pietà de Michel-Ange, protégée sous un coffrage</text>
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                <text>Division 10</text>
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                <text>"Ici le Baron Pierre de Perényi a rejoint la Baronne Catherine de Perényi... qui l'avait devancé le 20 juillet 1994... Ils furent unis sur cette terre pendant 26 ans... puissent-ils être réunis pour l'éternité "</text>
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                <text>Division 12</text>
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                <text>Le monument a été découvert lors d'un service commémoratif célébré un an jour pour jour après sa disparition tragique dans l'incendie de la Comédie-Française.</text>
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